Nov 25 2009

Dance as you were, as you are, as you wish to be

Yannori

Have you ever noticed how much we all tend to focus on the mistakes we have made, or the problems we might face. 

Our lives are filled with perpetual, consuming worries for everything except for what is happening RIGHT NOW.

Take a moment and ask yourself if you really have any problems in this EXACT second.  Not earlier this morning, or two minutes from now, or tomorrow.

But RIGHT NOW.

What are you thinking about RIGHT NOW…

Do you feel the need to worry about something that’s happening later?

But is it really a problem RIGHT NOW?

Do you feel the need to worry about something that happened yesterday?

But is it really a problem RIGHT NOW?

If you are breathing with sufficiently warm clothes on and a roof over your head, then you’re probably doing pretty okay at the moment.  I’m not saying your concerns are baseless or unimportant.  I’m saying that spending your time worrying about them is wasting valuable energy that you could use for loving your family, working on your dreams & goals, or just having some serious playtime (on the pole of course).

What if you practiced living and dancing in this moment, EXACTLY AS YOU ARE?  Without any worries of the past or of the future.  What if you gave yourself the chance to let go of your problems for 5 minutes and just be.

Be your breath.  Be your movement.  Be alive.

You don’t have to prepare for who you are, you can simply be who you are.

Sometimes you need to live as a human being instead of a human doing.

Let go of the past.

Let go of the future.

The more you ask yourself… “What is important to me in this moment?”

…the more calm you will find…
..the more gratitude you will feel…
..the more abundance and joy will permeate your life…

So tonight, don’t get dressed up to dance.  Don’t plan your play list beforehand.  Don’t even decide exactly when you’ll begin your practice.  Walk to your pole when the moment is right (and you’ll know it’s right when you feel that odd pressure in your head that says Gosh, I wish I was pole dancing now), put on the song the seems to pop into your consciousness or under your fingers in your ipod, and dance.

Dance as you were, Dance as you are, Dance as you wish to be.

Knowing that this moment is the most precious one in your life RIGHT NOW.


Because this moment is all you ever have.

How do you find acceptance in the present moment? What other techniques do you use to create flow? Share your ideas in the comment section!

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Twirl, Swirl, and Fly!


Nov 7 2009

The Magic Eight Ball of PoleDancing

Yannori

The world we live in isn’t black and white, it’s in vivid, breathtaking, awe inspiring color. But sometimes I wish it wasn’t.  Sometimes I wish my daily decisions were as simple as.. Yes OR No.. up OR down.. this OR that.

When there are too many options, too many possibilities, I get overwhelmed and stuck.  Which of the gazillion things that I could choose is the RIGHT one and how do I know for sure? Do I always have to weigh each possibility in disgusting detail?  Do I really have to agonize and worry over every damn little thing in my life?

As a physicist, I know that mankind has made a science out of redefining our infinite world of possibilities using small little ONEs and ZEROs.  Every movie we watch, every blog we read, every song we download is created from boiling this reality down to those two options. It’s not perfect. Computer simulated red will never be as luscious as the flaming red of a real sunset, but I am still grateful for it.

I want to harness this uniquely human power to SIMPLIFY. Because I have questions that I am tired of pondering.  Tired of thinking about.  Tired of being frozen with indecision about instead of moving forward and taking some fucking action.  I have questions that need answers whether the sun sets red, orange, or a deep royal purple (I live in LA, so yes, sometimes it’s purple!)

So, sometimes, I use my pole dancing as a magic eight ball.  You know, those plastic balls filled with inky black water and the little window where your fortune pops up… “My sources say yes” or “Don’t count on it” (in an oh so very scientific fashion)When my conscious mind refuses to come up with the answers, I can let my pole dancing magic eight ball decide instead.

“But you’re a physicist?” you cry “How can you ignore the entire scientific method?”

Because the magic eight ball I’m about to show you, taps into your unconscious mind.  If your conscious mind is lost, your unconscious mind has the navigation package and it’s desperately trying to tell you to “take a right at the next exit.” But it’s unconscious (by definition), so unless you find a way to tap into it, you won’t hear a damn thing.  All the while it’s screaming…  TURN RIGHT!  TURN RIGHT NOW!

Now stick with me here, because this is the tricky part…..

Become your own Magic Eight Ball

  1. Go pick two (or three) colors to represent your options. My favorite scenario is BLACK meaning NO WAY! and WHITE meaning ALL SIGNS POINT TO YES!  (other meanings might be ABSOLUTELY, MY SOURCES SAY NO, or OUTLOOK GOOD. You can even use GREY for REPLY HAZY, TRY AGAIN LATER)
  2. Create a sexy poledancing outfit with your two (or three) colors. In the video I chose a white tank top, white bikini top, black booty shorts, black and white bodystrings, and black platform shoes (see, I told you I used bodystrings ALL THE TIME).
  3. Dance and Strip. Yes, you heard me STRIP.  Take off your clothes, but let your unconscious mind decide what pieces to remove and how to remove them. (I did NOT actually remove clothes in the video because it got a little too hot for youtube and I didn’t want to upset your delicate disposition)
  4. The color you are wearing more of at the end of your poledancing session is your answer. (I was wearing all BLACK at the end, but just barely, so I got my answer –> NO WAY!  )

Becoming your own magic eight ball means you are trusting your intuition. 

Which is a good thing, because your intuition knows everything you think you know… everything you actually know… a bunch of shit you forgot that you know… and a bunch more shit you don’t even realize that you know.

At the very least, when you are done, you can leave me a comment and say “Yannori, you are full of shit, but I love you anyway.” Because you’re awesome and you roll like that.

How do you tap into your intuition? How do you make a difficult decision? Share your ideas in the comment section!

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Nov 2 2009

Dancing To Your Own Beat

Yannori

Donna asks: Is it true an exotic dancer never dances with the beat of the music but [uses] the undercurrent of the song [instead]?

This particular question is actually a point on contention between many schools of pole dancing.  So the answer is “It Depends.” (I always hated that particular answer though)

Basically there are 3 different views…

First, there’s the idea that you don’t have to listen to the music at all.

That you should perform whatever trick you want whenever you feel like it (or in a specified routine) but the music doesn’t have to match or even make sense. I’m just going to throw this one against the wall and out of the club. Because as far as I’m concerned, if you don’t even notice the music then you aren’t pole dancing, you’re pole tricking…which is a useful training method but NOT a worthwhile performance technique (okay rant over, sorry)

Second, there’s the premise that you find the “hidden beat” of the song.

I’ve heard this described at the “undercurrent” or the “underlying wave.”  This particular technique is usually used during dance improvisation and in many ways I like it.  It encourages the dancer to focus on not just the beat but also the effect the beat has on her heart, her emotions, and her non-logical, pure response body.

However, I think you can take this idea too far.  To me, the point of dancing is to express your authentic self within the layers of music, within the physical studio space, using the tools and props and world around you.  It’s a different and beautiful way to experience life in the current moment.  And that includes the music you hear playing.

By ignoring the music entirely to focus on your own internal beat, you have stopped dancing and started meditating.  I don’t believe there is anything fundamentally wrong with this, BUT a true exotic dancer knows that her performance must make a connection with the audience.  If you are completely inside your own mind, then the audience is more like a peeping tom than a group of people experiencing your art. (I’ve actually had friends say that they felt like it was rude to watch me dance when I used this particular method)

To ignore the music is to sever your connection with the audience.  And this is never the goal for an exotic dancer.

Lastly, there’s the technique where you dance specifically to the beat of the music you are using.

If you ask a professionally trained dancer, they will most likely say that this method is the only method that makes sense for a performance.  And if we were all classically trained dancers with 15+ years of training in ballet, jazz, and tap, then I’d probably agree.

Because over time, your internal beat becomes automatic whenever the music hits you. Your body already knows that this extension of your arm is perfect for who you are right now and to match the emotional content of the song…. that this invert will feel amazing during a booming creshendo…. That rolling on the floor during the guitar solo makes the most sense within your muscle memory.

This, to me, truly defines performance art.  But it doesn’t happen overnight and you can’t force it.  Let me say that again, you can’t force it.  You can create a routine that hits each beat. You can practice the routine until your feet bleed.  You can perform it flawlessly in front of a starstruck audience (hello So You Think You Can Dance)

But unless you put your entire spirit into it, there will be something missing.

In the end I believe … An exotic dancer uses the beat as if it was her partner, expanding and contracting against him as the underlying wave calls to her.

Creating a never ending dynamic between his beating heart and her authentic soul.

Which method do you use for performances? And which one do you use when you are alone? Share your ideas in the comment section!

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