Express The Sensual

Oh god.  I am on a rampage.  If I have to read one more pole article that says  “if you notice pain in your wrists or shoulders after pole dancing, just make sure you use the other side” I might just scream.  Really, no REALLY?

Come on pole advice authors, please consult a physiologist or a book on progressive exercise training.  You can’t just “use the other side.”

You have to figure out where the injury came from in the first place or all you will be doing is INJURING THE OTHER SIDE!  Even better, figure out how to avoid the injury in the first place.

Proper Form before Playful Action

Yes, overuse is a major concern with pole dancing, but even more critical is improper form during overuse.  And perhaps, the student simply hasn’t built enough strength for that particular trick yet.  Pole instructors & students should consider these questions…

• Can you point out when your rotator cuff, rhomboids, lats, or core muscles are activated and in use?
• Do you know why the rhomboid muscles are critical to every spin you do?
• Do you know why you should NOT let your body hang from your rotator cuff muscles? (HINT: they are small *support* muscles that help you avoid dislocating your shoulder)
  
• Do you know how to ensure that your abdominal muscles are properly positioned to carry most of the weight, instead of just using your shoulder?
• Do you know how to develop these muscles BEFORE depending upon them to hold your body suspended off the floor?
  

I’m a big believer in building body balance into my training sessions: which means that I train every student to execute every spin in both the right and left hand directions. This technique balances the use of muscles on both sides of the body and does help avoid overuse. HOWEVER… my main concern is that each student understands the proper body form for each trick first. And even before learning the trick, we use strength training to develop the appropriate muscle groups.  This is called EXERCISE PROGRESSION  and I believe it’s a fundamental requirement of pole dance training.

My general method of exercise progression looks like this;

1. Learn which muscles you need to activate to accomplish the trick with both strength & flexibility
2. Learn how to activate these muscles in a safe environment, meaning with BOTH feet on the floor at a minimum.  (You don’t want to be upside down & suddenly ask yourself “Gee, where is my foot supposed to hook?” unless you like debilitating head injuries.)
3. Learn how to place your body into the appropriate form.  What goes where first?
4. Build strength in the key muscles while using the proper form & appropriate range of motion.
5. Learn the trick.
6. Over time, your body will develop an intuitive muscle memory for the proper form and you can learn the small changes that take a trick from enticing to delicious to breathtaking.

Make every step playful and fun along the way.

You can build abdominal strength with pelvic circles, pelvic isolation, and the fabulously flirty hurricane.  You can build flexibility in your hips with some seriously sexy booty popping exercises.  You can learn the proper body form for spins while you’ve got both feet on the floor doing some wonderfully *naughty* transitions called chugging.  (Think Ginger from Gilligan’s Island meets Betti Page, ROWR!)  These are some of my favorite dance moves, and I make sure my students know them so they can enjoy their strength, stamina, flexibility and sensuality all at the same time.

Progressive training can help make sure you don’t develop an injury from improper form OR overuse.  Progressive training can also help previously injured pole dancers recover their abilities and their strengths without getting injured again. Injury is a critical issue for the pole dancing community that I talk about with every new student. Your instructor should be able to discuss both recovery & modification options that are customized for you.

For your pole dance training, please search out an instructor who understands these things.  I learned to teach progressive pole training from Shawn Francis Lee, a classically trained dancer, a personal trainer, and a 20 year veteran of exotic dancing; and from Greg Welch, an exercise physiologist, faculty member of Cal State Fullerton, and AFAA board member.

If learning to pole dance is hurting you, then find out why.

First talk to your doctor or a physiologist and follow their advice.  Then speak to a knowledgeable pole instructor who understands your injury and can help you return to pole dancing with safety & with strength (and the permission of your doc).

I implore you, my beautiful fellow exotic dancers and awe inspiring aerialists, please, please, please don’t just “use the other side.”

Do you believe in Progressive Training? Have you ever had a pole dancing injury? Please share your opinions in the comment section.

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Twirl, Swirl, and Fly!

I was lamenting on the state of the pole dancing industry when someone asked me why I focus so strongly on being a pole DANCER instead of a pole TRICKSTER (someone who focuses on athletic pole tricks without transitions).

Although I recognize how wonderful pole fitness can be when a woman develops her gymnastic ability and strength, I am not in that camp.  I do not and will not ever just teach a pole trick.  I believe it is the transitions between the tricks that connect a woman with her sensual nature, not just the trick itself. If I cannot evoke an emotional response throughout my dance, then I’m not interested in dancing; and serial pole tricks do not evoke emotion in me.

Whenever I see a pole Trickster, I find my mind wandering.  Yes, the flawless execution is impressive.  Yes, the difficulty is obvious.  But it’s still the same tricks, over and over and over again.  Instead of noticing the way she accentuates the curve of her hip or the luscious shadow of the hair falling down her back, I consider her gymnastic execution; her fitness & stretching routine, her training regimen.  Of course she is beautiful, impressive even, but I want to see the movement of life breathing through her, the spark of humanity, the hypnotic fire of creativity that burns through a dancer. I know it’s there, but I just can’t see it.

I certainly agree that being a pole Trickster is a great way to get in shape.  It’s a phenomenal and powerful activity that many awesome and wonderful woman do with their bodies.  But it’s not what I want.  And to answer the question of why, I wrote this response to a friend of mine.  It’s rather raw, and starts off with a doozy, but if you wanted butterflies and lily pads, you probably wouldn’t be reading my blog anyway.

Fuck pole dancing, but not in the way you think.

The pole is a prop, a gimmick.  It’s the feeling of pure sensuality that I am after.  The afterglow of the dance is like the afterglow of sex.  I want to feel beautiful, luscious, delicious.  Circles of erotic bliss.  I want the space to be vulnerable again.

I tire of being hard. Hard at work, hard at home, hard in traffic. I am not a man and have no wish to be.  I am the force that bends instead of breaks; the life that flows instead of shatters.  My heart is transparent because my tears fill it’s soul.

Being at work fights my nature. No, I fight my nature when I’m at work.  My lover requests for my return to dance.  He wishes to see what only a woman in raw movement can show him.  But this vision, this truth is available only when a woman remembers herself.  She experiences life with flaws, weaknesses, strength, mistakes, emotions, and creation.

Reality is not about perfection; this is man’s lie, one he tells himself.  The sun, moon, and stars have NEVER given us perfection, only natural cosmic coincidence.  All things work in harmony because of their inherent chaos.

You want proof?  –  I am proof.

I am a living contradiction, strength and weakness personified in one body.  A living mass of confusion that somehow remains in balance and lives — breathes even.  Whereas a rock, a flawless diamond with the most intricate and perfect structure, highly prized for this logical and regular pattern of atoms, lacks a soul.

The one requirement of life is that it is NEVER perfect, never done.  No matter how many times it has tried, life must continue the struggle or give up.

Enjoy your struggle, your dance of sensuality, and recognize the amount of passion you nurture to be truly ALIVE each and every day.

Do You disagree? Share your ideas in the comment section.

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Twirl, Swirl, and Fly!

How long can you DO IT? How long can you GO AT IT before your luscious energy starts to wane? How long before you cry out for breath or have to stop and rest?  How long does it take before your arms and legs start to shake from exertion?  Really?  I’m talking about GOING AT IT without resting, without stopping and starting again. Just one long continuous SENSUAL EXPERIENCE?

10 minutes? 20 minutes? An hour? (WOW!)

In order to have a truly amazing experience every time, I think it’s essential to really develop your stamina. In fact, I think stamina is just as important as your technique and your transitions. (You did know that I’m talking about POLE DANCING, right?) So at the end of almost every warmup, I include some extra songs specifically for this purpose.

I throw off my warmup pants (or strip them off if I’m in the mood) and let my sensual spirit fill the dance floor.  I don’t stop moving until my body feels warm, grounded, and excited about developing a new technique, trying out a new combination, or just building my strength in an advanced trick. It’s a great way to make sure you start every training session with gratitude and joy.

To try it, first you have to pick two songs that entice you to MOVE, twirl, swirl, float and fly!

Then, challenge yourself to drag each extension of your arm, slow down each delicious step, exhale through every luscious invert. Make a point to take this chance to dance slowly.   But… DON’T sacrifice your personal style! Just notice when you rushing into the next movement and consciously choose to take your time.  This isn’t about making yourself dance agonizingly slow (unless that’s your style).  It’s about giving yourself the chance to expand and take ownership of both your dance time and your dance space.

Once you can dance for two whole songs, try to extend it to three.  I promise you’ll love your new found stamina (in more places than just the dance floor)!

Do you prefer long or short dancing sessions? How do use pole dancing to develop stamina & cardio? Share your ideas in the comment section!

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